Catherine Bateson

Wed, 01 Oct 2014 09:00:00 BST

What Songs Reveal about Irish-American Experience & Sentiments during the American Civil War

Diljeet Kaur Bhachu

Wed, 01 Oct 2014 09:00:00 BST

Exploring Attitudes, Experiences, Beliefs & Perceptions of Facilitators of Musical Learning

Maxine Branagh-Miscampbell

Wed, 01 Oct 2014 09:00:00 BST

The Young Scottish Reader in the Long Eighteenth Century

Clare Brown

Wed, 01 Oct 2014 09:00:00 BST

The Role of Visual Art & Imagery in Victorian Mission to Southern & Central Africa, 1840-1900

Jonathan Brown

Wed, 01 Oct 2014 09:00:00 BST

Ownership of the Living Human Body in Scots Law: Quid Iuris, Quid Ethicis?

Louise Creechan

Wed, 01 Oct 2014 09:00:00 BST

Victorian Illiteracies: Conceptualising the Unorthodox Reader in the Nineteenth-Century Novel

Tom Davis

Wed, 01 Oct 2014 09:00:00 BST

The Archaeology of the Animal in Viking Paganism

Stefan Andreas Drechsler

Wed, 01 Oct 2014 09:00:00 BST

The Illuminated Manuscripts from 14th Century Icelandic Helgafell: An Interdisciplinary Approach

Rebecca Dunbar

Wed, 01 Oct 2014 09:00:00 BST

From Betty Crocker to Mildred Pierce: The Representation of Female Success in Depression-era America

Alberto Esu

Wed, 01 Oct 2014 09:00:00 BST

The Procedure of Adeia in the Greek City-States

Jonathan Gallagher

Wed, 01 Oct 2014 09:00:00 BST

States of Vigilance: A Study of Devotional Lyrics & State Formation in Seventeenth Century England

Mhairi Gavin

Wed, 01 Oct 2014 09:00:00 BST

An Examination of Rapists' Understanding of, & Attitudes about, their Offences

Andrew Glen

Wed, 01 Oct 2014 09:00:00 BST

Britain, Empire & Opium: Reassessing Official British Attitudes towards Asian Opium Consumption in the Late Nineteenth Century

Paul Goatman

Wed, 01 Oct 2014 09:00:00 BST

Glasgow during the Age of Absentee Monarchy & the British Civil Wars, C.1603 - C.1651

Berta Grimau

Wed, 01 Oct 2014 09:00:00 BST

Ontological commitments of higher-order logics & the notion of set

Faye Harland

Wed, 01 Oct 2014 09:00:00 BST

The Gendering of the Visual: Katherine Mansfield & Visual Culture

Ianto Jocks

Wed, 01 Oct 2014 09:00:00 BST

Scribonius Largus' Compositiones Medicamentorum - Context, Translation, Commentary, Pharmacology and Reception

Kelly Kanayama

Wed, 01 Oct 2014 09:00:00 BST

Men of Steel, Cups of Tea: Transatlantic Narratives, Industries & Exchange in Contemporary Comics

Christopher Loughnane

Wed, 01 Oct 2014 09:00:00 BST

Unveiling the Hybrid Archive: An Investigation into Changing Research Practices & Digital Humanities Scholarship

Nicola Martin

Wed, 01 Oct 2014 09:00:00 BST

The Cultural Paradigms of British Imperialism in the Militarisation of Scotland & North America, 1745-1775

Marianne MacRae

Wed, 01 Oct 2014 09:00:00 BST

Human Speaking through Animals: Why & how do Contemporary Poets use Animals to Convey Meaning?

Stephen McBurney

Wed, 01 Oct 2014 09:00:00 BST

Colour Cinema in Scotland, 1896 - 1916

Aaron McGregor

Wed, 01 Oct 2014 09:00:00 BST

The History of the Violin in Scotland from its Beginning to 1750

Ross McLachlan

Wed, 01 Oct 2014 09:00:00 BST

A Cognitive Linguistics Analysis of Narratives of Illness & Recovery

Nicholas Melville

Wed, 01 Oct 2014 09:00:00 BST

The Imperative Commands: The Poetics of Imperatives & Assertions in Everyday Language

Luca Nasciuti

Wed, 01 Oct 2014 09:00:00 BST

Imaginal Landscapes: The Role of Electroacoustic Music in Concealing Lost Stories & Revealing New Myths

Lisa Nowak

Wed, 01 Oct 2014 09:00:00 BST

Classifying Mental Disorder

Victoria Payton

Wed, 01 Oct 2014 09:00:00 BST

Traces of Design & Occupation: Towards Participatory Spaces & a Taxonomy of Participatory-Enabling Design Processes

Melissa Reid

Wed, 01 Oct 2014 09:00:00 BST

Writing like a Writer: a self-reflexive analysis of visible & invisible enhancers & detractors to progress within the research-to-creative-writing process

Hannah Rose

Wed, 01 Oct 2014 09:00:00 BST

Spanish Comics as a Reflection of Spanish Social, Cultural & Political History: From the Spanish Civil War to the End of the Franco Era

Robert St. John

Wed, 01 Oct 2014 09:00:00 BST

Pattern & Process: Art, Science & Geography in the Anthropocene

Zoë Sutherland

Tue, 30 Sep 2014 11:14:00 BST

Self-Given Law: Individualism as an Ethics of Interpretation in Ben Jonson

Roseanne Watt

Wed, 01 Oct 2014 09:00:00 BST

‘Aa My Mindin’* – Time & Timelessness in Scottish Island Poetry *Aa My Mindin: A Shetlandic idiom, meaning 'For as long as I can remember'

Jake Watts

Wed, 01 Oct 2014 09:00:00 BST

Workshops: Investigating & Developing Participatory Environments for Artistic Learning

Nel Whiting

Wed, 01 Oct 2014 09:00:00 BST

Gender & Nationhood in Scottish Family Group Protraits, Circa 1740 - 1790

Lucie Whitmore

Tue, 30 Sep 2014 11:27:00 BST

Women's Fashion in First World War Britain

Eleanore Widger

Wed, 01 Oct 2014 09:00:00 BST

Formal Innovation in Contemporary Radical Landscape Poetry as the Rearticulation of Romantic Attitudes towards the Visual & the Environment

Harry Wilson

Wed, 01 Oct 2014 09:00:00 BST

Practising Barthes: encounters between performance & photography