Faye Harland
Published: 1 October 2014
The Gendering of the Visual: Katherine Mansfield & Visual Culture
University of Dundee
The Gendering of the Visual: Katherine Mansfield & Visual Culture
Academic History:
2013-present: PhD in English & Visual Culture
2012-2013: MLitt in English Studies with distinction
2008-2012: MA English, First Class (hons)
Supervisors:
Dr Keith Williams
Dr James Stewart
Dr Mary Modeen
Research Interests:
- Modernist Literature
- History of women’s fiction
- Women’s contributions to early cinema
- 20th century art movements
- Intermedial relationships in the arts
My research takes a feminist approach to the relationship between modernist fiction & visual culture, suggesting that the engagement with the visual in modernist fiction has different social & cultural significance in the works of female authors. Through a study of the fiction of Katherine Mansfield, my research posits that Mansfield & her contemporaries were inspired by new, non-literary media, from modern art to cinema, which allowed them to represent a changing world & cast off the influence of older, male-dominated literary forms.
Previous Research Projects:
- MLitt Dissertation: ‘Visual Consciousness and Cinematicity in the Early Fiction of Virginia Woolf’
Scholarships/ Awards/ Publications:
- 2014-present: AHRC DTP Studentship
- 2013-2014: AHRI Research Postgraduate Scholarship
- The Don Paterson Award for best overall performance in MLitt English Studies
- ‘“Into Unknown Country”: Cinematicity & Intermedial Translation in Mansfield’s Fictional Journeys’ – Published in the Katherine Mansfield Studies journal, Volume 7
Contact Details:
Address: Room 2.22, Tower Extension, University of Dundee, Nethergate, Dundee DD1 4HN
Email: f.e.harland@dundee.ac.uk
First published: 1 October 2014