Harry Wilson
Published: 1 October 2014
Practising Barthes: encounters between performance & photography
University of Glasgow
Practising Barthes: encounters between performance & photography
Academic History:
2014-Present PhD in Theatre Studies, University of Glasgow & University of Dundee
2009-2011 MPhil, Theatre Studies, University of Glasgow
2004-2008 MA Hons, Theatre Studies, University of Glasgow
Supervisors:
Professor Deirdre Heddon (University of Glasgow)
Professor Carl Lavery (University of Glasgow)
Pernille Spence (DJCAD, University of Dundee)
Research Interests:
My current PhD project uses a practice-as-research methodology to explore the relationships between performance & photography. Specifically, I am using Roland Barthes's reflections on photography in Camera Lucida (1980) to explore ideas of temporality, corporeality & affect in contemporary performance dramaturgies. The project seeks to read & compose performance through & in response to Camera Lucida. In undertaking this research I hope to further explore the usefulness of Barthes's work in theorising & practising performance, as well as exploring what performance practice might offer to Barthes scholarship.
Previous Research Projects:
“The Director of Devised Theatre, Facilitating Collaboration, Ownership & Empowerment” (Mphil Thesis)
Scholarships:
2014. AHRC DTP Studentship
Conference Papers/Talks:
“The voice as it sings, the hand as it writes, the limb as it performs: Re-turning to Roland Barthes & the live body" IFTR, Stockholm, June 2016
"Staging the punctum: reflections on performance & photography" Performance lecture, Performance Philosophy Conference, SAIC Chicago, April 2015
"Performance as Tame or Mad?" Talk at the Into the New Festival Symposium, Arches theatre, January 2015
“The Death Jump Series: Three Performances about Falling” Artist Talk, University of Glasgow, November 2014.
“How is devised theatre ‘written’? The problems of authorship, intellectual property & the director as author”, TFTS Postgraduate Symposium, University of Glasgow, March 2011.
Selected Previous Performances:
- KAIROS Performance, Buzzcut Festival, The Pearce Institute; Outskirts Festival, Platform, Glasgow; Live Art Bistro, Leeds, 2016
- AN INCONSOLABLE MEMORY Performance, Defibrillator Performance Art Gallery, Chicago, 2015
- BUZZCUT COMMONPLACE BOOK Live Documentation project, Buzzcut Festival, The Pearce Institute, Glasgow, 2015
- THE PUNCTUM Lecture Performance. Southside Studios, Glasgow; The University of Glasgow; Generator Projects, Dundee; DCA, Dundee, 2013-14
- THE BLUE OF DISTANCE Durational Performance, Forest Fringe, Edinburgh, 2013
- DEATH JUMP Devised Performance, Buzzcut Festival, The Glue Factory, Glasgow; Hunt & Darton Café, Edinburgh, 2013
- CINEMATIC CITY Site-Responsive Performances. IETM Glasgow, 2010
- HELIUM Devised Performance, ArchesLIVE Festival, The Arches, Glasgow, 2010
Contact details:
Address: Room 206, 68 Oakfield Avenue, University of Glasgow, Glasgow, G12 8QQ
Email: h.wilson.1@research.gla.ac.uk
Website: www.harryrobertwilson.com
Twitter: @theharry_wilson
Academia.edu: glasgow.academia.edu/HarryWilson
Research Blog: practisingbarthes.wordpress.com
First published: 1 October 2014