Susannah Ramsay
Published: 22 September 2015
How are the complex relationships between human sensorium, memory, identity & landscape represented through different approaches to the production & exhibition of the film-poem?
University of Stirling & Glasgow School of Art
How are the complex relationships between human sensorium, memory, identity & landscape represented through different approaches to the production & exhibition of the film-poem?
Academic History:
2015 - Current PhD Film & Media, University of Stirling & Glasgow School of Art
2012 - 2014 MLitt Film Studies, University of Stirling
1995 - 1998 BA (Hons) Media Production, Northumbria University
Supervisors:
Dr Sarah Neely
Dr Ross Birrell
Research Interests:
- film poetry
- phenomenology & film phenomenology
- artists' moving image
- experimental cinema
- film editing
- british cinema
- human memory & identity
In this practice-led research project I will explore film phenomenology through the production & exhibition of six short experimental film-poems. Key questions regarding how we experience a film beyond audiovisual perceptions, combined with a theoretical investigation discussing the impact of sensorial filmic experiences will be informed by the practice & exhibition of my work. These debates will relate to key themes concerning the interaction between human sensorium, memory, landscape & identity. The work will address these questions in the specific context of the Western Isles of Scotland.
Previous Research Projects:
‘Articulating the Avant-Garde’ - MLitt dissertation, which explored the reliability of memory through the filmpoem genre. This was accompanied by a 3-minute filmpoem, comprised of moving images, soundscapes & words.
Scholarships:
2015 - 2018 AHRC Doctoral Training Scholarship
Awards:
MLitt Film Studies course funded by the Cinema & Television Benevolent Fund
Contact Details:
Email: susannah.ramsay@stir.ac.uk
First published: 22 September 2015