László Rózsa
Published: 25 September 2015
The Art of Musical Conversation: Behavioural Attitudes in the Performance Practice of Italian Music from c.1580-1640
University of Glasgow
The Art of Musical Conversation: Behavioural Attitudes in the Performance Practice of Italian Music from c.1580-1640
Academic History:
2014 - PhD in Musicology, University of Glasgow
2011- 2013 MMus in Performance & Research at the Royal Academy of Music
2007 - 2011 BMus (Hons) in Performance at the Hochschule für Musik und Theater Hamburg
Supervisors:
Professor John Butt
Dr David McGuinness
Research Interests:
- Performance practice of late sixteenth to early eighteenth-century music
- Early modern ethics, aesthetics & sociomusicology
- Listening cultures
- Music & embodiment
- Current aesthetical tendencies in classical music performance practice
Previous Research Projects:
The Revival of Conversatio: The ideal courtier in today’s performance of classical music (MMus dissertation, Royal Academy of Music, 2013)
A Game of Time: Freedom as the fundament of structure (Public research event, Royal Academy of Music, 2013)
Death & Resurrection: A comparative analysis of Johann Sebastian Bach’s cantatas BWV 106 & BWV 161 (BMus dissertation, Hochschule für Musik und Theater Hamburg, 2011)
Scholarships/Awards:
2015-2018 AHRC DTP Scotland Studentship Award
2012-2013 AHRC Postgraduate Award
2008-2009 BWG Leistungsstipendium (Scholarship of the Institute of Science & Health)
Conference Papers:
A Game of Time: Rhythmic freedom & musical structures in the performance practice of late seventeenth & early eighteenth-century music (‘Performance practice, history & theory of the eighteenth century’: Conference of the Hungarian Musicological Society, Budapest, 2015)
Contact Details:
Address: Music, School of Culture & Creative Arts, University of Glasgow, 14 University Gardens, Glasgow G12 8QH
Email: l.rozsa.1@research.gla.ac.uk
Website: www.laszlorozsa.com
First published: 25 September 2015